Teaching Literary Devices Through Anne Frank's Diary
Published on September 17th, 2026 by the GraideMind team
Because "The Diary of a Young Girl" is a real diary rather than a deliberately constructed work of fiction, some students assume it does not contain the kind of literary devices they are used to analyzing in novels or poetry. This assumption misses the fact that Anne was, by most accounts, a genuinely talented young writer who used figurative language, structural choices, and a distinct narrative voice, even within the informal constraints of a private diary.

One of the more distinctive craft choices in the diary is Anne's decision to address her entries to an imagined confidant she names Kitty, which functions similarly to a narrative frame in a work of fiction. Teaching students to notice this choice, and to ask what effect it has on the diary's tone and intimacy, opens up a genuinely productive line of literary analysis that goes beyond simply cataloging plot events.
Anne's use of humor is another rich area for craft analysis, since it often appears in unexpected juxtaposition with serious or frightening content. Asking students to analyze why Anne might use humor at a particular moment, and what effect it has on a reader's experience of that section, builds sophisticated close reading skills that transfer well to other texts.
Tone shifts across the diary also offer strong material for craft analysis, since Anne's writing style genuinely changes as she matures and as circumstances in the Annex grow more tense, giving students concrete textual evidence to track a writer's evolving voice over time.
Literary Devices Worth Highlighting
A focused list of specific devices to look for helps students move past generic literary vocabulary and toward evidence-based analysis grounded in the actual text.
- Direct address to Kitty as a narrative framing device
- Use of humor and irony juxtaposed with serious content
- Figurative language used to describe emotional states like fear or hope
- Shifts in sentence structure and tone as Anne matures across the diary
- Selective detail that reveals character without stating it outright
A diary can still be carefully crafted, even when its author never expected it to be published.
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The goal of teaching literary devices is never simply identification for its own sake. Students should be pushed past naming a device toward explaining what effect it has and why that effect matters to the diary's larger meaning. An essay that identifies Anne's use of direct address to Kitty but never explains why that choice makes the diary feel more intimate has only done half the analytical work required.
Building this expectation explicitly into a rubric, requiring students to explain effect and not just identify device, tends to raise the overall sophistication of literary analysis essays on this text.
Balancing Craft Analysis With Historical Sensitivity
Teaching craft analysis on a text this historically significant requires some care, since focusing too heavily on literary technique can occasionally feel like it is treating the diary as merely an aesthetic object rather than a document of genuine historical suffering. Framing craft analysis as a way to understand Anne more deeply as a specific individual, rather than as a purely academic exercise, tends to keep the focus appropriately balanced between literary and historical significance.
This framing also helps students see that analyzing craft and honoring the historical weight of the text are not in tension with each other, since understanding how Anne wrote is part of understanding who she was.
Assessing Craft Analysis Fairly
When grading essays focused on literary device analysis, it helps to distinguish between students who correctly identify a device and those who go further to explain its function within the larger text. This distinction should show up clearly in the rubric, since it represents a meaningful difference in analytical sophistication that a single undifferentiated grade for "analysis" might otherwise obscure.
Over time, tracking which specific devices students identify most and least successfully can also inform which craft elements need more explicit instruction the following year, refining the unit's approach to literary analysis instruction across future classes.
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