Teaching Voice and Point of View in Memoir: Assessing Student Writing Inspired by A Child Called "It"
Published on October 3rd, 2026 by the GraideMind team
Voice and point of view are central to memoir, and A Child Called "It" offers a clear example of how first-person perspective shapes a reader's experience. Students can analyze these elements in the text and then apply them in their own writing. Both tasks are tricky to assess, because voice is partly subjective and point of view is easy to confuse with opinion. A focused approach brings clarity.

Begin by teaching the vocabulary. Point of view refers to the perspective through which a story is told, such as first person, while voice describes the distinctive style and personality of the narration. Students often use the terms interchangeably. Short examples side by side help them see the difference.
Next, have students analyze how the memoir's perspective affects what the reader knows. The narrator can only report what he saw and understood, which limits the information available. Students might explore how this limitation increases tension or encourages sympathy. These observations lead naturally into analytical essays.
Assessing Voice Fairly
Voice is difficult to grade because no single style is correct. Rubric descriptors should focus on consistency, specificity, and control, not on a preferred tone. A student whose writing sounds natural and purposeful, with word choices that fit the subject, demonstrates strong voice. Avoid language that favors one style, which could disadvantage students from different backgrounds.
- Voice is consistent across the piece
- Word choice and sentence length fit the subject
- Perspective is controlled and the narrator's limits are respected
- Details are specific rather than generic
- The writing sounds like a particular person, not a template
Stop spending your evenings grading essays
Let AI generate rubric-based feedback instantly, so you can focus on teaching instead.
Try it free in secondsVoice is easiest to recognize when it is specific and hardest to fake when it is honest.
Activities That Build Skill
Try rewriting exercises. Take a short passage and have students retell it from a different point of view, then discuss what changed. This reveals how perspective shapes meaning. Students learn that every choice carries consequences for the reader.
Another useful exercise is a voice inventory, where students list the traits of the narrator's voice in the memoir, such as plain diction and short sentences. They then write a paragraph on an everyday topic using a deliberately different voice. Comparing the two highlights the range of stylistic options. Grading focuses on how well the choices are controlled.
Giving Feedback on Voice
Feedback should name specific examples. "Your second sentence has a strong, direct voice; the third shifts to more formal language, which breaks the tone" points to something concrete. Avoid vague comments like "find your voice." Students need targets they can adjust.
Rubric-based AI feedback can flag inconsistencies in perspective or tone and suggest where to look. Teachers then confirm the observations and add personal comments. This helps when you have many drafts to review and want consistent attention to craft. The final judgment about voice, however, should stay with a human reader.
See how fast your grading workflow can be
Most teachers go from hours per batch to minutes.
Create free account


