Giving Feedback on Peer Gynt Essays to Multilingual and ESL Students

Published on October 13th, 2026 by the GraideMind team

Multilingual students often have a special relationship with Peer Gynt, a play that is itself a work in translation. Some have grown up with folk tales about trolls or tricksters, and others know what it means to move between cultures and try on different selves. Their insights can be exceptional, yet their essays are sometimes graded harshly because surface errors in English obscure strong thinking.

The first principle of fair grading is to separate ideas from language. A rubric that blends content and conventions into a single score makes it impossible to see whether a student understood Ibsen or simply struggled with English grammar. Assigning separate scores, or at least clearly weighting each dimension, gives a more accurate and encouraging picture.

The second principle is to treat language errors as teachable patterns rather than isolated mistakes. A student who consistently omits articles or confuses verb tenses when summarizing plot will benefit more from a note about the pattern than from forty individual corrections. Focusing on a few high-impact issues per paper keeps feedback digestible.

Supporting Comprehension Before Writing

Peer Gynt is a heavy reading task in any language, with shifting settings, fantastic characters, and verse that can be difficult to parse. Providing a character list, a scene summary for each act, and a glossary of unfamiliar terms removes avoidable barriers. Students can then devote their energy to interpretation rather than decoding.

  • A visual timeline of Peer's journey with key scenes labeled
  • A glossary of terms such as Boyg, Dovre-King, and Button Moulder
  • Sentence frames for making claims and introducing quotations
  • Permission to draft ideas in a home language before writing in English
  • Model paragraphs that show how analysis differs from summary

Strong ideas should never be hidden behind a grading system that only notices grammar.

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Making Feedback Clear and Actionable

Feedback for multilingual writers should use plain language and concrete examples. Instead of writing "awkward phrasing," show how a sentence could be reworded, and explain what changed. Where possible, begin with a comment about the strongest idea in the paper, so that the student knows the thinking is valued before reading about the language issues.

Be careful about idioms and abstract terms in your comments. A note telling a student to "flesh out" a paragraph may be confusing, whereas "add one quotation and two sentences explaining it" is clear. Teachers who adjust their feedback language see more effective revisions and greater confidence from their students.

Using Cultural Knowledge as a Strength

Invite multilingual students to bring their own perspectives into the analysis. A student familiar with trickster figures from another tradition might compare Peer to those characters, and a student who has experienced migration might write insightfully about the Egyptian chapters. These contributions enrich the class and signal that diverse backgrounds are assets.

Rubrics can acknowledge this by rewarding original connections supported by textual evidence. When students see that their cultural knowledge counts toward the grade, they engage more deeply and take greater risks in their writing.

Using AI Feedback Responsibly

AI feedback tools can be helpful for multilingual students when they provide clear, rubric-based comments quickly, because fast feedback allows more revision cycles. Teachers should check that the language of the feedback is accessible and that suggestions focus on meaning as well as correctness. The tool should support learning, not simply fix sentences on the student's behalf.

Combined with thoughtful scaffolding and fair grading criteria, this approach helps multilingual learners show what they understand about Peer Gynt. The result is a more equitable classroom in which ideas, not accents or grammar slips, determine how a student's work is valued.

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