Assigning and Grading Comparison Essays on The Handmaid's Tale and The Testaments
Published on September 18th, 2026 by the GraideMind team
When Margaret Atwood published The Testaments in 2019, English teachers gained a natural companion text. The sequel is set years after the first novel, tells its story through multiple narrators, and reveals the inner workings of Gilead from angles the original never explored. It shared the 2019 Booker Prize, which also gave it a wave of classroom attention.

Comparing the two books lets students explore how a story changes when the point of view changes. The first novel is a single, constrained voice, while the second spreads across several perspectives that include people within the system. That contrast is rich territory for essays about narration, power, and reliability.
But the assignment has practical challenges. Not every student will read both books, and the length adds up. Teachers need to decide whether the sequel is required or offered as an option for advanced students.
A good rubric for this assignment emphasizes comparison, not just analysis of each book. Students should be rewarded for identifying meaningful connections and differences and for explaining what they reveal about Atwood's larger project. Plot summary of either book earns little.
Prompts that produce real comparison
Choose prompts that require the student to weigh the two books against each other. A question about how each novel handles the reliability of its narrators pushes students toward technique. A question about how the two books portray complicity invites moral and structural analysis.
- How does the shift from one narrator to several change what the reader understands about Gilead?
- In what ways does each book treat testimony and record-keeping as an act of resistance?
- How do the two novels portray women who hold power inside the system?
- What does the sequel add to or change about the original book's ending?
- How does the time gap between the books affect the way each portrays Gilead's stability?
A sequel invites students to ask what the first book left unsaid, and that is a strong starting point for an argument.
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The most common issue is imbalance. Students who read one book more closely tend to build the essay around it and treat the other as an afterthought. A rubric row for balanced use of evidence makes the expectation clear.
Spoilers are another matter. If some students have not finished the sequel, class discussions and written feedback should avoid giving away plot details. Keep comments focused on the writing, and let each reader reach the ending on their own.
Feedback that deepens the comparison
When a student lists similarities, ask what the pattern reveals. Two books that both feature a hidden manuscript, for example, raise questions about how stories survive in oppressive systems. Prompting students to think about that connection turns a list into an argument.
Also encourage students to notice differences in tone and purpose. The first book is intimate and claustrophobic, while the second is broader and more plot-driven. An essay that attends to that shift is showing real literary awareness.
Handling the workload
Comparison essays run long, and two-book papers demand extra checking of evidence. AI grading tools can apply your comparison rubric to each paper, flag essays that neglect one of the texts, and draft comments that reference specific passages. That gives you a solid starting point on every paper.
Review the drafts with attention to accuracy, since students may confuse details across the two books. Your knowledge of both texts is an important safeguard. The tool speeds up the first pass, and your judgment finishes the job.
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