Using Perks of Being a Wallflower in College Composition and Young Adult Literature Courses
Published on September 20th, 2026 by the GraideMind team
Young adult novels have earned a place in many college classrooms, and "The Perks of Being a Wallflower" shows up in first-year writing, YA literature, and education courses alike. Its short chapters and clear voice make it accessible, while its themes and form support serious analysis. College students often bring memories of reading it in high school, which can help or hinder.

That prior familiarity is worth addressing directly. Some students will think they have nothing new to say. A good assignment asks them to reread with a different lens, such as genre, audience, or the cultural history of the book's reception.
In a composition course, the novel can anchor lessons on claim, evidence, and revision. The text is short enough to reread, so students can practice close reading on passages they know well. That leaves more time for writing instruction.
In a YA literature course, it opens conversation about how the genre treats adolescence and who the intended audience really is. Students can compare it with other coming-of-age novels and write on questions of representation and voice.
Assignment Ideas That Fit College Expectations
College writing should push past summary and toward research or theory. Ask students to bring in one scholarly or critical source and use it to sharpen a claim about the novel. This models the move from response to conversation.
- A rhetorical analysis of how the novel addresses its implied reader.
- A reception study of the book's challenges and defenses using library or press sources.
- A close reading paper on a single letter and its formal choices.
- A comparative paper pairing the novel with another YA or coming-of-age text.
- A reflective portfolio piece connecting the course's writing skills to the reading.
In college, the goal shifts from what the book says to what the writer can add to the conversation about it.
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Many instructors carry sections of twenty-five to fifty students, and some lecture courses run far larger with graders. Writing-heavy assignments in that setting demand a plan. Standardized rubrics, shared with graders in advance, are the foundation.
Norming sessions matter. Have everyone score the same three papers and discuss differences before grading begins. It takes an hour and prevents weeks of inconsistent scoring.
Feedback That Supports Revision
First-year writers benefit most from feedback they can act on before the final version is due. Consider building in a required draft with focused comments on thesis and evidence only. Students then know what to fix instead of guessing.
Some instructors and writing programs use AI feedback tools such as GraideMind to provide first-pass, rubric-aligned comments on drafts so that human time goes to conferences and final assessment. Check your institution's policies on AI use in grading and be transparent with students about how feedback is produced.
Making the Course Feel Worth the Reread
The strongest courses treat a familiar book as a new object. Ask what the novel does differently when read as an adult, and what students notice that they missed before. That question alone tends to produce lively discussion.
End with a reflection on how their reading and writing have changed during the term. It gives you a useful measure of growth and gives students a record of their own progress.
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